Marilyn in Grey
from £85.00

Signed limited-edition archival giclée print.

MARILYN, DRAWN ONE SQUARE AT A TIME.

Try her on your wall for 30 days. If she isn't right, return her for a full refund.

A hand-drawn pixel portrait built from an original coloured-pencil drawing, then reproduced as a signed, numbered archival giclée print. Up close she is abstract; from across the room, unmistakably Marilyn.

Step back and she appears.

  • Signed and individually numbered

  • Museum-quality giclée print

  • Certificate of authenticity included

  • Free worldwide delivery

Fixed edition, closing 31 December 2026. Each size is a separate numbered edition and will not be extended, resized, reprinted, or reissued after the closing date.

  • Small — 8 × 10 in / 20 × 25 cm — edition of 40 — £85. For a desk, shelf, or hallway.

  • Most popular — 16 × 20 in / 40 × 50 cm — edition of 20 — £165. Recommended balance of scale, detail, and value.

  • Statement — 24 × 32 in / 60 × 81 cm — edition of 8 — £395. A room-defining piece.

Not sure which size? Most people choose the 16 × 20. It's the size where the pixels do what they're supposed to do- abstract up close, unmistakably her from across the room. The 8 × 10 is a smaller piece for a desk, a shelf or a hallway. The 24 × 32 is the one that owns the room, and only eight people will ever own it.

If you're wavering, tell me about your wall and I'll give you an honest answer. I'd rather send you the right one than the expensive one.

Marilyn in Grey:

This pixel portrait of Marilyn Monroe comes from familiarity rather than reinterpretation. It's a face I've returned to for years, not to modernise or reinvent, but because certain images just stay with you.

The pixel format reduces detail while preserving recognition. What's lost in resolution is replaced by our memory of that face, sitting somewhere between distance and closeness, clarity and abstraction.

Every square is placed by hand. Nothing is generated, traced or printed onto the original. The joke of it is that months of careful analogue work produce something most people assume a computer made in a second.

What comes with it:

The Framer's Cheat Sheet — the three frames that fit each size exactly, where to buy them, and what they cost. Roughly £20, not £150.

Up By Teatime — hanging strips, so it goes up the day you have your frame.

The Story Card — the short version of how it was made, for when someone stands in front of it and asks.

Certificate of Authenticity — signed, numbered, edition size stated.

The Upgrade Credit — buy a print now and the full price comes off the original if you buy it within twelve months.

Your Number, Kept — own number 12 of Marilyn and number 12 of Freddie, Twiggy and Elvis is held for you before each one goes public.

Guarantee:

Live With It. Thirty days on your actual wall. If she doesn't belong there, send her back and I'll refund you, return postage included. No forms, no awkward email.

There By The Date, Or It's On Me. Buying it as a gift? Tell me the date. If it misses, you get a full refund and you keep the print.

It Fits Or I Pay The Framer. Use a frame from the cheat sheet and if it doesn't fit, I cover the difference.

Arrives Perfect. Damaged in transit is my problem, not yours. Replaced, no photographs of the packaging required.

The Numbers Are The Numbers. 40, 20 and 8. This edition will never be extended, reprinted, resized or reissued in any format. Ever.

Specifications:

  • Giclée print on archival-quality fine art paper

  • Archival pigment inks, rated for decades without fading

  • Signed and numbered by hand

  • Certificate of authenticity included

  • Supplied unframed, shipped flat in rigid protective packaging

  • Free worldwide shipping

  • International orders may be subject to customs charges

  • Payment plans available at checkout

Shipping:

SHIPPED WORLDWIDE, INSURED
Larger editions ship rolled in a museum tube- the way galleries move work this size- and relax flat within a day or two of framing. The 8×10 travels flat and rigid. Either way, tracked and insured to your door. Damaged in transit is my problem, not yours.

Twiggy
£80.00

This pixel portrait of Twiggy comes from an enduring fascination with faces that define an era almost instantly. Twiggy isn’t just recognisable, she represents a precise moment in time: youth culture, fashion shifting gears, and a new kind of visibility.

The pixel format strips the image back while keeping that identity intact. Detail is reduced, but expression remains. What’s lost in resolution is replaced by memory- magazine covers, studio portraits, and a look that still feels unmistakably modern.

Details

  • Giclée print on archival-quality fine art paper

  • Printed using archival pigment inks for longevity

  • Unframed

  • Designed to be framed and lived with over time

Size

  • Print size: 8 × 10 inches (20 × 25 cm)

Shipping

  • Shipped flat in protective packaging

  • Worldwide shipping available

  • Shipping costs calculated at checkout

  • International orders may be subject to customs charges

If you have any questions about editions, availability, or framing, feel free to get in touch.

Elvis
£80.00

This pixel portrait of Elvis Presley comes from a long-standing pull toward figures who feel inseparable from a particular time and sound. Elvis isn’t just recognisable, he carries an entire atmosphere with him: music, movement, early television, teenage bedrooms, records playing on repeat.

  • Giclée print on archival-quality fine art paper

  • Printed using archival pigment inks for longevity

  • Unframed

  • Designed to be framed and lived with over time

Size

  • Print size: 8 × 10 inches (20 × 25 cm)

Shipping

  • Shipped flat in protective packaging

  • Worldwide shipping available

  • Shipping costs calculated at checkout

  • International orders may be subject to customs charges

If you have any questions about editions, availability, or framing, feel free to get in touch.

Freddie in Grey
from £85.00

Signed limited-edition archival giclée print.

FREDDIE, DRAWN ONE SQUARE AT A TIME.

TRY HIM ON YOUR WALL FOR 30 DAYS. IF HE ISN'T RIGHT, RETURN HIM FOR A FULL REFUND.

Hand-drawn, pixel by pixel, for the ones who understood he was always more than the voice.

Every square drawn by hand, in coloured pencil.

Step back and he appears.

A fixed edition, released 5 September 2026 - what would have been his 80th birthday.

Each size is its own numbered edition, signed, with a certificate of authenticity.

8 × 10 in (20 × 25 cm) — edition of 40 — £85
16 × 20 in (40 × 50 cm) — edition of 20 — £165
20 × 26.6 in (50 × 67 cm) — edition of 8 — £395

Not sure which size? Most people choose the 16 × 20. It's the size where the pixels do what they're supposed to do- abstract up close, unmistakably him from across the room. The 8 × 10 is a smaller piece for a desk, a shelf or a hallway. The 20 × 26 is the one that owns the room, and only eight people will ever own it.

If you're wavering, tell me about your wall and I'll give you an honest answer. I'd rather send you the right one than the expensive one.

Freddie in Grey:

I grew up on Queen. A little town in Scotland, my parents playing the records far louder than the house could take, no sense at all that this was unusual. I still have that vinyl.

So this one wasn't a decision so much as an inevitability.

The pixel format strips detail and keeps recognition. What's lost in resolution gets replaced by whatever you already carry of him - and everyone carries something. The stance. The jaw. Wembley. You don't need the detail, which is the entire argument the work is making.

Every square is placed and coloured by hand. Months of work to produce something most people assume a computer made in a second.

He'd have found that funny, I think.

What comes with it:

The Framer's Cheat Sheet — the three frames that fit each size exactly, where to buy them, and what they cost. Roughly £20, not £150.

Up By Teatime — hanging strips, so it goes up the day you have your frame.

The Story Card — the short version of how it was made, for when someone stands in front of it and asks.

Certificate of Authenticity — signed, numbered, edition size stated.

The Upgrade Credit — buy a print now and the full price comes off the original if you buy it within twelve months.

Your Number, Kept — own number 12 of Freddie and number 12 of all other icons is held for you before each one goes public.

Guarantee:

Live With It. Thirty days on your actual wall. If he doesn't belong there, send him back and I'll refund you, return postage included. No forms, no awkward email.

There By The Date, Or It's On Me. Buying it as a gift? Tell me the date. If it misses, you get a full refund and you keep the print.

It Fits Or I Pay The Framer. Use a frame from the cheat sheet and if it doesn't fit, I cover the difference.

Arrives Perfect. Damaged in transit is my problem, not yours. Replaced, no photographs of the packaging required.

The Numbers Are The Numbers. 40, 20 and 8. This edition will never be extended, reprinted, resized or reissued in any format. Ever.

Specifications:

  • Giclée print on archival-quality fine art paper

  • Archival pigment inks, rated for decades without fading

  • Signed and numbered by hand

  • Certificate of authenticity included

  • Supplied unframed, shipped flat in rigid protective packaging

  • Free worldwide shipping

  • International orders may be subject to customs charges

  • Payment plans available at checkout

Shipping:

SHIPPED WORLDWIDE, INSURED
Larger editions ship rolled in a museum tube- the way galleries move work this size- and relax flat within a day or two of framing. The 8×10 travels flat and rigid. Either way, tracked and insured to your door. Damaged in transit is my problem, not yours.

Charged today, ships week of 5 September.